Women Make Movies is a multicultural, multiracial, non-profit media arts organization which facilitates the production, promotion, distribution and exhibition of independent films and videotapes by and about women. The Department of Communication, International Studies Program and The Women Studies Program at IPFW with the support of the Cinema Center are sponsoring a festival the weekend of January 30th, 2015.
Wildly popular at home, Turkish soap operas have taken the world by storm with more than 300 million viewers in 80 countries across the Middle East, North Africa, the Balkans, and Asia. With unprecedented access, KISMET delves into this phenomenon, weaving together excerpts from the major shows including interviews with their talent and the writers, producers and directors behind the scenes—primarily made up of women—and portraits of the everyday viewers in Turkey, Egypt, the United Arab Emirates, Bulgaria, and Greece.
Introduces us to six courageous Afghan women who share their passions for acting, dreams, and difficult realities. They include Sajida, a student targeted by extremists; Monirah, besieged co-founder of an innovative women’s theater troupe; Tahera, forced into exile because of award-winning work at a theater festival; Roya, whose TV career brings her constant harassment; and Leena and Breshna, unprotected by their stage and motion picture fame.
Filmmaker Anneta Papathanssiou exposes pervasive erosions of Afghan women’s rights. Her timely, eye-opening documentary perfectly captures art’s transformative power and the dangers these courageous women face to do the work they love.
A student activist in Iran’s 1979 revolution that overthrew the dictatorial Shah, Nahid Persson Sarvestani fled to Sweden with her baby after Islamists seized power and began persecuting leftists who had been their revolutionary allies. Three decades later, events in Iran inspire Nahid to revisit that part of her life. Prompted by brutal crackdowns on anti-government protests in 2009 and long-suppressed guilt for abandoning a younger brother to imprisonment and death, the internationally acclaimed filmmaker locates and reunites with five female activists who survived torture and terror in the Islamist regime’s jails. Now living in exile, the women share gripping accounts of how their jailers tried to break them physically and spiritually, and describe what sustained them during these horrible ordeals. With the support of these stalwart survivors, Sarvestani finds answers to haunting questions about her brother’s last days. Shifting skillfully between past and present, this deeply personal documentary is an essential resource for understanding Iran today.
This inspiring documentary, which follows three brave human rights defenders in Liberia, Abkhazia, Georgia and Iraq over six days, gives insight into the everyday struggle to improve the situation of women worldwide. SIX DAYS shines a necessary light on some of the most urgent and important human rights issues facing women today: girls education, honor killings, bride kidnappings and women’s health issues.
The latest documentary from Toronto filmmakers Maya Gallus and Justine Pimlott takes viewers inside the adrenaline-fueled phenomenon of women’s roller derby. With over 1,400 leagues worldwide, it is now the fastest growing women’s sport
Structured as a personal journey of rediscovery by filmmaker Jennifer Lee, this documentary brings the momentous first decade of secondwave feminism vividly to life. Its trajectory starts with the earliest stirrings in 1963 and ends with the movement’s full blossoming in 1970—from the Presidential Commission’s report on widespread discrimination against women and publication of Betty Friedan’s Feminine Mystique up through radical feminists’ takeover of the Statue of Liberty and Friedan’s calls for a women’s strike for equality. A wealth of period footage captures landmark events and the pivotal roles of the National Organization for Women (NOW), the Equal Employment Opportunities Commission (EEOC), the Student Nonviolent Coordinating Committee (SNCC), Redstockings, and other organizations. Thirty-five diverse interviewees, including rank-and-file activists along with well-known feminists Betty Friedan, Frances M. Beale, Gloria Steinem, Robin Morgan, Ti-Grace Atkinson, and others, share memories of the period as well as issues and challenges that still resonate today. A great introduction to Women’s Studies and critical viewing for historians and academics interested in feminism, activism and the Women’s Movement.
All films are free, open to the public, and shown at the Cinema Center